Tyler Bensinger is an American film and television writer, producer
and film director.Bensinger grew up in Los Angeles and attended the
Webb School of California. He earned his B.A. as an English Major at
Yale before attending UCLA Film School where he received his MFA. He
began his career writing features and wrote and directed the film Just
Looking. Bensinger moved from features to TV in the late nineties and
has written on numerous shows including The Cape (1996), The
Pretender, Beverly Hills 90210, Titans, Going to California, Dragnet,
Cold Case, Justice, Viva Laughlin, Harper's Island, Parenthood, Prime
Suspect, Masters of Sex, Nashville, The Good Wife, Notorious and This
Is Us. He has been nominated for a Writers Guild of America Award
(Masters of Sex) and an Emmy Award (This Is Us).Bensinger is also an
award winning photographer. His monograph There and Away won first
place in the International Photography Awards/Lucie Foundation
competition in 2018. Bensinger had a 20 page spread of his photographs
in the Human Rights Issue of Lens Magazine in June 2020 (issue #69).
and film director.Bensinger grew up in Los Angeles and attended the
Webb School of California. He earned his B.A. as an English Major at
Yale before attending UCLA Film School where he received his MFA. He
began his career writing features and wrote and directed the film Just
Looking. Bensinger moved from features to TV in the late nineties and
has written on numerous shows including The Cape (1996), The
Pretender, Beverly Hills 90210, Titans, Going to California, Dragnet,
Cold Case, Justice, Viva Laughlin, Harper's Island, Parenthood, Prime
Suspect, Masters of Sex, Nashville, The Good Wife, Notorious and This
Is Us. He has been nominated for a Writers Guild of America Award
(Masters of Sex) and an Emmy Award (This Is Us).Bensinger is also an
award winning photographer. His monograph There and Away won first
place in the International Photography Awards/Lucie Foundation
competition in 2018. Bensinger had a 20 page spread of his photographs
in the Human Rights Issue of Lens Magazine in June 2020 (issue #69).
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